Stylus magazine:
"Joseph Grimm dwells on the corruption of his pure tones, seeking the emotional resonance of interference and decay. . . Tones ebb and flow like blood in old arteries, propelling an aching life bloated with memory. Over a crisp burbling, as of flaking tape and patchy time, Grimm introduces plaintive vocalic notes, creating a chorus of searchers in blighted light. The scene slips from touching to haunting as voices converge to eerie unison, a mood further intensified by the appearance of darting keys and squealing peals. The intensity never relents, and the finale -- the whole mass is engulfed by crackled distortion -- is a frenzied collapse rather than a resolution. All told, this is among the better cassettes I've heard all year, one unafraid to approach its influences -- the true giants of the avant garde."
=====================
Pitchfork:
"Sorry That I've Become This Monster" is an example of the best aspects of drone; it has a sense of depth and richness despite the austerity of its presentation, and it invigorates as it calms, utilizing a host of inspired melodies and sonic textures. The band carves its own niche by relaying their sounds from a recognizably human source, unlike the work of artists such as Bernhard Gunter and Daniel Menche, whose pieces, despite their beauty, often seem alien.
